Thursday, 16 May 2024

QUEEN ASIA


Enotse owosi,
You're as beautiful
As the rising sun
In the morning
Good without pretense
Like the retreating sun
In the evening,
As worthy as an angel
That stirs no strife.
So pure, you have a golden heart
And a diamond hand
You cannot have a feet of clay.


Which man will not gladly
Build his dungeon
With your love
That allows him
The latitude of a crow
Flying over the northern sky,
Which man will not feel
Like a sweepstakes winner
To have you in the nest of his heart?

Queen Asia,
Your cup full of virtue and grace
Cannot be hindered by any barrier,
In your courteous act of genius
I find the definition of a companion.

You loved like Juliet,
Soared like an Eagle, 
Gentle like a Dove,
In this game of feelings
You thrust your heart,
Yet be willing to thrust still more,
For the Prince of Agila
Will be your strong newel
When every other quit,
And carry you, when your feet
can no longer hold

Okibe, Samson Onmeje
+2348027058134
+2348056895054


FOOT NOTE

This poem was written in Abuja for Asia my friend fiancée (then). They did not marry after all. This poem was inspired by my sympathy for Asia who came weeping that her mother in-law to be was not receptive in their first meeting and so there is no hope for the union.

The poem was to encourage her and make her realize that the sole decision lies with her man and her character has earned my vote if i have a say.

Thursday, 28 April 2016

Death, is a transition

DEATH

You left me behind
but you cannot take the road with you,
You did not wait for me
but you cannot stop me
from coming over there to you,
for our life
is rounded off with a sleep.

O death,
a transit vehicle,
i fear thee not
i only fear the grief
i will cause many
by my exit.

Thy sting is never final,
it does not put the nail on the coffin,
for the loss here
is a gain beyond.
The fear is;
Man is scared of the uncertainty
of his new abode.

Okibe, Samson Onmeje

Friday, 5 February 2016

MIGHTY MOTHER


Mighty mother,
you left before
I remember to ask:

Did you also scrubbed my teeth
with unhygienic wool
and the fluoride
of bitter leaf - ashes paste;

Did you also bath me
with the protective currant water
of the Gwaris
or you had your own herbal assurance;

Was the red water
meant to scare off evil spirits
that bring convulsion, measles, polio
and mortality;

Did you also preserved my food
with brew ashes water
and fed me with fermented corn meals,
or put my hands between your legs
to feed me in bondage with grain cereal;

Did you ever hold back your cares,
and left me crying
until I am fagged out and surrendered
before you stretched a loving hand
to cloth me with your mighty motherly warmth;

Did you allowed me to eat unrestrained
and call it love that I have
a malnourished semblance
of a quashiokor victim?

Worthy son,
when GOD created mothers
to everyone HE gave the best;
I pressed your malleable head with artistic finest,
when you soiled my wrappers with your watery waste,
I cleaned them and cleaned you too,
when you cry but say nothing,
the duty is upon my wisdom to unravel
the silent message of your demands,
and give you the rich milk,
the milk of wisdom on my chest
as your Daddy grin in paternal envy.

Well now my son, tell me,
do I not shun the sacred oath,
when I preferred you to your father
that left his parent to cleave
unto me, all years past?

O, mighty mother,
only GOD is greater than you,
sleep in peace my dear,
I will stir thee no longer.

OKIBE, SAMSON ONMEJE
+2348056895054

THE POEM:
Inspired by how his Land lord and his wives raises their children prompted him to ask these rhetoric questions. Was he raised the same way by his mother?
In the light of the above, he questions the "love" of raising a child in this manner. He sees it as tyrannical or love lost.
The first stanza reveals the poem was composed after the poet mother's demise.
Stanza two tells us how the Gwari people (Abuja Nigeria) care for the teeth with a self made paste
(bitter leaf and ashes mixture). They brush their teeth applying this paste on a cotton wool. This is to point out to the western world that before the advent of their 'colgates, aqua fresh, close ups etc the Africans have their peculiar standard for maintaining a hygienic teeth.
Stanza 3: hygienic practice continues with autochthonous 'treated' bath water as alternative to Dettol liquid or other anticeptives. The poet asked if this treated 'currant' water could replace immunization.
Inspite of all these hygienic practice, he questions the mode of their food preservation and how they feed the children, forcing food down their throat. The response from the poet's late mother is purely a product of the poet's conscience (this is more profound than mere imagination) having compared his upbringing to an average Gwari child. After his conscience blames him for questioning the wonderful and sacrificially caring upbringing, he expresses remorse and apologizes to his mother. The poem ends with a pledge that he will never worry her any more in her grave - he seems to say "Rest in peace!"


Thursday, 23 July 2015

Samson Onmeje: When They Returned to An Empty Home

WHEN THEY RETURNED TO AN EMPTY HOME



Except for the foot steeps sound of grasses,
Which danced to the ruffling tones of the air,
everywhere was calm,
as calm as the dead abode
or minutes dedicated to him.


When they returned to an empty home,
Mother weeps flaying her ebony flesh
with stones of the earth,
Father in manly lamentation
shook his head in rhetoric despair;
"ai-yin boh?"
"my children too?"
up to the sky he searched for hope;
"Adam, in kwu wan to laboh".
"Father, unto thy hand i commit them".

The time they left no one knows,
even the cock in its ringing voice could not tell,
they have since gone,
but in the arena, struggling foot prints of children
protesting their innocence and contesting their priceless freedom,
and the big toe-less foot and tobacco smell,
that fouled the air of roasted games
paint the picture of painful memories
that lies not too far away in the corner of the past.

The echoes of banging metals,
the cry of tortured slaves,
who still live in illusion,
ignorant of the reality of their new status,
but hanging on to a lost, pampering up bringing,
that has been stolen by time and voyage across the endless sea
is the story of their cubs conditions.

In the friut farm they sweat,
longing for their root
of milk and honey

Okibe, Samson Onmeje
+2348027058134 | +2348056895054
onmejekibe@yahoo.com



Friday, 22 May 2015

CANDLE IN THE DARK



Woman,

The candle in the dark;

Man,

The mystery that is the dark;

Love,

The lighter that lights up the candle;
 
God,

The creator that made them all,

And made them beautiful. 


 
The poet strongly held belief that all things created by God is beautiful. Hypothetically speaking, man cannot say a woman is inferior in any form.

Refrence to the biblical account of the process of creation of a man and a woman. If a woman is inferior, then the raw material used in creating a woman is inferior. Ultimately therefore, man is inferior.

The poem also single out these words - woman, man and love. The poet gives God credit for making these three things beautiful as players on the field called life.


Okibe, Samson Onmeje
santinojournal@gmail.com
+2348027058134
+2348056895054
+2347035504008

Wednesday, 13 May 2015

OFFERING TIME


O Great Valentine 
It's offering time

I have come with a basketful
of red roses,
I have come with bracelets 
of a queen as your offering.

Juno, from the smaller and bigger branches 
of the tree of my heart 
Sprang rivers, streams
And water ways for only you 
To walk through.